FLO‘S MEDUSA (3-storey-version). 2018.
3,75 x 7,5 x 1,1 m. Structure with 12 pictures, 3 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Gallery Bildraum 07 Vienna. Photo © Eva Kelety.
FLO‘S MEDUSA (3-storey-version). 2018.
3,75 x 7,5 x 1,1 m. Structure with 12 pictures, 3 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Gallery Bildraum 07 Vienna. Photo © Eva Kelety.
DU
DU
YESSSS
YESSSS
SCREENSHOT (Carpark). 2020.
130 x 190 cm. Acrylic (rolled, painted, screenprinted) and clear paint (partially rolled) on canvas.
SCREENSHOT (Guernica). 2020.
160 x 270 cm. Acrylic (rolled, screenprinted, painted) and clear-paint (partially painted) on canvas.
SCREENSHOT. 2023.
50 x 70 cm. 12-color pigment-print on Hahnemühle Fine Art Baryta 325 g/m2.
Edition: 9 prints, signed / dated / numbered.
SCREENSHOTS. 2023.
Parallel Edition 2023. Foto © Florian Nitsch.
Prints: Florian Nitsch / Sculptures: Chris Murzek
DOLLYYYY
DOLLYYYY
SCREENSHOT (Digital Fireplaces). 2020.
Objects based on digital drawings.
Acrylic-Glass-Panels printed with translucent digital drawings, mounted together with acrylic-glass-angles and screws.
Light-tubes and speakers on the floor.
SCREENSHOT (Digital Fireplaces). 2020.
Objects based on digital drawings.
Acrylic-Glass-Panels printed with translucent digital drawings, mounted together with acrylic-glass-angles and screws.
Light-tubes and speakers on the floor.
SCREENSHOT (Digital Fireplaces). 2020.
Objects based on digital drawings.
Acrylic-Glass-Panels printed with translucent digital drawings, mounted together with acrylic-glass-angles and screws.
Light-tubes and speakers on the floor.
BESTTTT
BESTTTT
LINES LURCH IN A LOOP. 2022.
160 x 330 cm (3 parts, each 160 x 110 cm). Acrylic and marker on transparent film on stretchers.
Back: rolled, screenprinted. Front: painted with a tile-spatula / painted / scratched.
LINES LURCH IN A LOOP. 2022.
160 x 770 cm (7 parts, each 160 x 110 cm).
Acrylic (screenprinted, scratched, dripped, un/painted) and marker on transparent film on stretchers.
Kunstverein Grünspan, Feffernitz 2023. Photo © Florian Nitsch.
LINES LURCH IN A LOOP. 2022.
160 x 990 cm (9 parts, each 160 x 110 cm). Transparent film on canvas.
Recto: Acryl (painted, scratched, dripped, unpainted) and marker.
Federation of Austrian Industries, Vienna 2022. Photo © Kunstdokumentation.
LINES LURCH IN A LOOP. 2022.
160 x 990 cm (9 parts, each 160 x 110 cm). Transparent film on canvas.
Verso: Acrylic (screenprinted, rolled, dripped, un/painted).
Federation of Austrian Industries, Vienna 2022. Photo © Kunstdokumentation.
LINES LURCH IN A LOOP. 2022.
9 parts, each 160 x 110 cm. Transparent film on canvas.
Verso: Acrylic (screenprinted, rolled, dripped, un/painted).
Recto: Acryl (painted, scratched, dripped, unpainted) and marker.
Sculptures by Chris Murzek.
Parallel Vienna 2022. Photo © Marcel Steinmann.
LINES LURCH IN A LOOP. 2022.
9 parts, each 160 x 110 cm. Transparent film on canvas.
Verso: Acrylic (screenprinted, rolled, dripped, un/painted).
Recto: Acryl (painted, scratched, dripped, unpainted) and marker.
Sculptures by Chris Murzek.
Parallel Vienna 2022. Photo © Marcel Steinmann.
LINES LURCH IN A LOOP. 2022.
9 parts, each 160 x 110 cm. Transparent film on canvas.
Verso: Acrylic (screenprinted, rolled, dripped, un/painted).
Recto: Acryl (painted, scratched, dripped, unpainted) and marker.
Sculptures by Chris Murzek.
Parallel Vienna 2022. Photo © Marcel Steinmann.
HAPPYYYY
HAPPYYYY
NASENBOHREN. 2023.
Parallel Vienna 2023 - Intervention. Foto © Chris Murzek.
Paintings / Text: Florian Nitsch / Sculpture: Chris Murzek
NASENBOHREN. 2023.
50 x 240 cm (6 parts, each 50 x 40 cm). Acrylic and marker on transparent film on stretchers.
Parallel Vienna 2023 - Intervention. Foto © Chris Murzek.
VIBESSSS
VIBESSSS
SALZWELTEN UNDERGROUND. 2021.
Digital Painting.
SALZWELTEN UNDERGROUND. 2021.
Digital Painting. Latexprint on Truck tarpaulin, Impact profiles. 3,2 x 11 m.
Saltmine Hallstatt, Rudolfsturm. Photo © Nick Mangafas / FdR 2021.
SALZWELTEN UNDERGROUND. 2021.
Digital Painting. Latexprint on Truck tarpaulin, Impact profiles. 3,2 x 11 m.
Saltmine Hallstatt, Rudolfsturm. Photo © Nick Mangafas / FdR 2021.
SALZWELTEN UNDERGROUND. 2021.
Digital Painting. Latexprint on Truck tarpaulin, Impact profiles. 3,2 x 11 m.
Saltmine Hallstatt, Rudolfsturm. Photo © Nick Mangafas / FdR 2021.
SALZWELTEN UNDERGROUND (Detail). 2021.
Digital Painting. Latexprint on Truck tarpaulin, Impact profiles. 3,2 x 11 m.
Poem „Archäologie“ by Marc Michael Moser.
Saltmine Hallstatt, Rudolfsturm. Photo © Nick Mangafas / FdR 2021.
SCREENSHOT / WAWEWIWOWÄWU. 2019/2021/2022.
Linzer Kunstsalon 2022, Solo-Booth for Gallery Schloss Puchheim, Schlossmuseum Linz, Austria. Photo © Christian Nitsch.
WAWEWIWOWÄWU / SCREENSHOT. 2021/2022.
Linzer Kunstsalon 2022, Solo-Booth for Gallery Schloss Puchheim, Schlossmuseum Linz, Austria. Photo © Christian Nitsch.
WAWEWIWOWÄWU. 2021.
130 x 190 cm. Acrylic (rolled, painted, scratched, screenprinted) and marker on canvas.
WAWEWIWOWÄWU. 2021.
95 x 65 cm / 190 x 270 cm. Acrylic (rolled, painted, screenprinted, dripped) and marker on canvas.
Former Post- und Telegrafenamt, Bad Ischl, Austria 2021. Photo © Christian Nitsch.
SCREENSHOT (Grass). 2021.
LP Cover for Black Pulse - DELTA EP.
Elektro Guzzi / Palazzo 2021.
SCREENSHOT (Tree). 2021.
LP Cover for Vive Buenoventura - GAMMA EP.
Elektro Guzzi / Palazzo 2021.
SCREENSHOT (Carpark). 2021.
LP Cover for Schneidewind - BETA EP.
Elektro Guzzi / Palazzo 2021.
WAWEWIWOWÄWU / SCREENSHOT (Guernica). 2021/2020.
190 x 270 cm / 160 x 270 cm. Acrylic (rolled, painted, screenprinted, dripped) and marker / clear-paint (partially painted) on canvas.
Studio Pelzgasse, Vienna 2021. Photo © Florian Nitsch.
SCREENSHOT. 2020.
Each 20 x 30 cm. Acrylic (rolled, screenprinted, painted) and clear paint (partially painted) on canvas.
Gallery Leeb, Vienna 2019. Photo © Marcel Steinmann.
WAWEWIWOWÄWU / SCREENSHOT (Atten / Carpark). 2021/2020.
95 x 65 cm / 95 x 65 cm / 130 x 190 cm. Acrylic (rolled, painted, screenprinted, dripped) and marker / clear-paint (partially painted) on canvas.
Studio Pelzgasse, Vienna 2021. Photo © Florian Nitsch.
SCREENSHOT. 2020.
Digital Painting.
SCREENSHOT (Atten). 2020.
65 x 95 cm. Acrylic (rolled, painted, screenprinted) and clear paint (partially rolled) on canvas.
FLO‘S MEDUSA (Pietà after Théodore Géricault). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault) (Detail). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (Pietà after Théodore Géricault). 2018.
220 x 320 cm. Acrylic and marker on transparent film on stretcher.
FLO‘S MEDUSA (4-storey-version). 2018.
5 x 10 x 1,1 m. Structure with 20 pictures, 4 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Grenzkunsthalle Jennersdorf, Austria 2018. Photo © Marcel Steinmann.
FLO‘S MEDUSA (4-storey-version). 2018.
5 x 10 x 1,1 m. Structure with 20 pictures, 4 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Grenzkunsthalle Jennersdorf, Austria 2018. Photo © Marcel Steinmann.
FLO‘S MEDUSA. 2018.
Each 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Grenzkunsthalle Jennersdorf, Austria 2018. Photo © Christian Nitsch.
FLO‘S MEDUSA. 2018.
Each 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Grenzkunsthalle Jennersdorf, Austria 2018. Photo © Christian Nitsch.
FLO‘S MEDUSA. 2018/2019.
110 x 640 cm (4 parts). Acrylic and marker on transparent film on stretcher.
Gallery Leeb, Vienna 2019. Photo © Marcel Steinmann.
FLO‘S MEDUSA (Model 1:10). 2018.
50 x 100 x 11 cm. Structure with 20 pictures and construction-parts.
FLO‘S MEDUSA (Model 1:10). 2018.
50 x 100 x 11 cm. Structure with 20 pictures and construction-parts.
FLO‘S MEDUSA (Model 1:10). 2018.
50 x 100 x 11 cm. Structure with 20 pictures and construction-parts.
FLO‘S MEDUSA (4-storey-version). 2018/2021.
5 x 10 x 1,1 m. Structure with 20 pictures, 4 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Lehar-Theater, Bad Ischl, Austria 2021. Photo © Florian Nitsch.
FLO‘S MEDUSA (4-storey-version). 2018/2021.
5 x 10 x 1,1 m. Structure with 20 pictures, 4 baseplates and construction-parts.
Each picture 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Lehar-Theater, Bad Ischl, Austria 2021. Photo © Nick Mangafas / FdR 2021.
WAWEWIWOWÄWU. 2021.
65 x 95 cm. Acrylic on canvas.
THINK PIG! 2017.
190 x 270 cm. Acrylic (rolled, painted, screenprinted) on canvas.
THINK PIG! 2017.
130 x 190 cm. Acrylic (rolled, painted, screenprinted) on canvas.
THINK PIG! 2017.
95 x 135 cm. Acrylic (rolled, painted, screenprinted) on canvas.
90° 2017.
95 x 135 cm. Acrylic (rolled, painted, screenprinted) on canvas.
THINK PIG! 2017.
Paper: 112 x 76 cm. Image: 94 x 58 cm.
Acrylic (rolled, screenprinted) on paper.
THINK PIG! 2017.
Paper: 112 x 76 cm. Image: 94 x 58 cm.
Acrylic (rolled, screenprinted) on paper.
THINK PIG! 2017.
Paper: 112 x 76 cm. Image: 94 x 58 cm.
Acrylic (rolled, screenprinted) on paper.
THE SUSTAINABLE ARTIST (BIN IM GARTEN). 2019.
220 x 110 cm, acrylic on transparent film on stretcher.
Gallery Leeb, Vienna 2019. Photo © Marcel Steinmann.
THE SUSTAINABLE ARTIST (PUNKTI PUNKTI STRICHI STRICHI). 2019.
220 x 110 cm, acrylic on transparent film on stretcher.
Gallery Leeb, Vienna 2019. Photo © Marcel Steinmann.
THE SUSTAINABLE ARTIST (SAME SAME SAME). 2019.
220 x 110 cm, acrylic on transparent film on stretcher.
Gallery Leeb, Vienna 2019. Photo © Marcel Steinmann.
ÉGAL. 2018.
130 x 180 cm. Marker and ink-jet-prints on paper.
ÉGAL. 2019.
300 x 400 cm. Acrylic, marker and ink-jet-prints on transparent film.
Knust Festival, Brussels 2019. Photo © Florian Nitsch.
GOLD. 2018.
200 x 280 cm. Acrylic, marker and ink-jet-prints on paper.
BIERAUFBÜTTEN. 2016.
Dry-point on beer-can.
BIERAUFBÜTTEN. 2016.
Paper: 40 x 30 cm. Image: 23 x 13 cm.
Dry-point on beer-can, printed on handmade paper.
BIERAUFBÜTTEN. 2016.
Performance. Photo © Marcel Steinmann.
BIERAUFBÜTTEN. 2016.
Performance. Photo © Marcel Steinmann.
BIERAUFBÜTTEN. 2016.
Performance. Photo © Marcel Steinmann.
BIERAUFBÜTTEN. 2016.
Performance. Photo © Marcel Steinmann.
COLOR THEORY (BETTER VERSION). 2016.
80 x 110 cm. Acrylic and marker on transparent film on stretcher.
Studio Schumanngasse, Vienna 2016. Photo © Marcel Steinmann.
A4 POLLOCK / TOO MUCH GRID FOR INGRID / ALL-OVER DEPP / BORING IS OK. 2016.
160 x 110 cm / 110 x 160 cm / 110 x 160 cm / 110 x 80 cm.
Acrylic and marker on transparent film on stretcher.
Krinzinger Projekte, Vienna 2017. Photo © Marcel Steinmann.
I WÜ ! / HEILRAHMEN / SAME SAME SAME SHAME. 2016/2017.
110 x 110 x 35 cm / 110 x 110 x 55 cm / 110 x 110 x 75 cm.
Acrylic and marker on transparent film on stretcher on stands.
Krinzinger Projekte, Vienna 2017. Photo © Marcel Steinmann.
BORING IS OK. 2016.
110 x 80 x 35 cm. Acrylic and marker on transparent film on stretcher on stands.
Studio Schumanngasse, Vienna 2016. Photo © Marcel Steinmann.
RECTO VERSUS VERSO 2016/2017.
160 x 110 x 35 cm / 160 x 110 x 55 cm / 110 x 110 x 55 cm / 110 x 110 x 75 cm / 80 x 110 x 75 cm.
Acrylic and marker on transparent film on stretcher on stands.
Grenzkunsthalle Jennersdorf, Austria 2018. Photo © Marcel Steinmann.
RECTO VERSUS VERSO 2016.
Each 110 x 110 cm / 160 x 110 cm. Acrylic and marker on transparent film on stretcher.
Künstlerhaus Vienna 2016. Photo © Thomas Weidinger.
PICTURESQUE. 2014.
Left: Each 95 x 65 cm. Middle: 130 x 190 cm. Right: 190 x 130 cm.
Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
xhibit, Academy of Fine Arts Vienna, 2014. Photo © LAB MB/TF.
PICTURESQUE. 2014.
Left: 190 x 270 cm. Right: Each 65 x 95 cm.
Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
xhibit, Academy of Fine Arts Vienna, 2014. Photo © LAB MB/TF.
PICTURESQUE. 2014.
95 x 135 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
xhibit, Academy of Fine Arts Vienna, 2014. Photo © LAB MB/TF.
PICTURESQUE. 2014.
190 x 270 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
PICTURESQUE. 2014.
95 x 65 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
PICTURESQUE. 2014.
190 x 130 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
PICTURESQUE. 2014.
190 x 130 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
PICTURESQUE. 2014.
130 x 190 cm. Acrylic (rolled, screenprinted) and clear paint (partially rolled) on canvas.
